Lighten the Load – Shooting weddings with ZEISS Batis lenses

January 4, 2018 Topher DeLancy

Less can be more

Whether I’m standing on a bench or laying on hot asphalt, if I see a creative opportunity to get a beautiful shot, I’m going to take it. If I have cameras and lenses strapped all over me, that will slow me down, and I can end up missing great opportunities for creative shots. Ever since I shot a wedding almost 2 years ago with only a Sony A7ii and a ZEISS Loxia 2/35, I have been a convert to the idea that sometimes less can be more.

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2/25 @f/2.8, 1/1600 sec., ISO 100

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2/25 @f/2.8, 1/1600 sec., ISO 100

Don’t be worn down by your gear

On my most recent wedding, I shot with a Sony A7Rii and the entire Batis line of lenses from ZEISS, the 2.8/18mm, 2/25mm, 1.8/85mm, and the brand new Batis 2.8/135mm. I have to say, after shooting a whole 12 hour wedding day with this setup my wrists and hands couldn’t have been happier. I’m so used to the fatigue and soreness that comes with carrying around a monster DSLR with heavy lenses. Being able to shoot for an entire day without feeling sore and worn down by my gear, but still retaining the image quality I’m used to was a breath of fresh air. For the entire day I walked around with my A7Rii with a Batis lens, then had my 3 additional lenses in a shoulder bag, that combined, weighed less than my larger-bodied Milvus 85mm. The A7Rii holds massive amounts of data in every image, and the Batis lenses rise to the challenge by rendering pristine image quality and accuracy in every photo. The way each of the Batis lenses transfer light to the image sensor is beautiful for many reasons, but the most notable of qualities comes from the sharpness of the images, perfect bokeh, and accurate color.

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2.8/135 @f/2.8, 1/250 sec., ISO 6400 © Topher DeLancy, Sony A7R ii, ZEISS Batis 2.8/135 @f/2.8, 1/500 sec., ISO 160

Batis Lenses cover every shot

When looking at the line-up for the Batis series, there is admittedly a sizable gap where there is nothing in-between the 25mm and 85mm focal length. Since 35mm is traditionally my favorite focal length for its real-life, documentary feel, I rented a Sony/Zeiss 35mm lens just so I would be covered for the gap. Now here’s the kicker… I didn’t even use it! I was so happy with the performance of the Batis 2/25mm that I used it as my primary lens for capturing the day. I’d say 60% of the wedding was shot with the 25, and I am extremely satisfied with the outcome. I’ve found there is very minimal distortion to the 25mm images and this allowed me to get close to my subjects while still showing some background to tie in more story. The Batis 2/25mm has an insanely fast and accurate Auto-Focus that has never let me down. There’s no hunting for focus by the camera, even in low light situations.

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2/25 @f/2, 1/400 sec., ISO 640

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2/25 @f/2, 1/400 sec., ISO 640

A Portrait Powerhouse

Normally the Batis 1.8/85mm is my portrait powerhouse, with its ability to be razor sharp exactly where I want it, and delivering the bokeh I’d expect to see in a much more expensive cinema lens… the 1.8/85mm lens is a dream. I literally am in love with this lens, especially for how heavy it is on quality while being light in weight. For this wedding though, the 85 was a little overshadowed by the magic of the new Batis 2.8/135mm. The Batis 85 definitely served a purpose throughout the day, and I would never leave home without it, but when you have a new toy in front of you the first thing to do is push it to the limit. I have always looked the other way when it came to anything over 100mm. “is it really necessary?” is what I would ask myself. In general, I like to stay close to my subject and shoot with a wider lens, but the Batis 2.8/135mm opened my eyes. The detail of every image is what caught my eye first. Once I realized that this lens was a bokeh machine even at f2.8, that’s when I was hooked! The color detail, really just all the detail in general, that I saw from this lens was more than I have ever seen in my photos.

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2.8/135 @f/2.8, 1/500 sec., ISO 125

© Topher DeLancy, Sony A7R ii, ZEISS Batis 2.8/135 @f/2.8, 1/500 sec., ISO 125

Combining the Sony A7Rii image resolution with the unequaled quality of the ZEISS Batis glass, I can honestly say I have never created “cleaner” images in my career. I could go on forever about the beauty of this lens, but I really think these photos speak as proof to everything that’s already been said.

The post Lighten the Load – Shooting weddings with ZEISS Batis lenses appeared first on LENSPIRE - The new ZEISS photography platform.

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